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Anthony Van Dyck The mystic marriage of the Blessed Hermann Foseph with Mary oil painting


The mystic marriage of the Blessed Hermann Foseph with Mary
Painting ID::  39667
Anthony Van Dyck
The mystic marriage of the Blessed Hermann Foseph with Mary
mk150 1630 Canvas 160x128cm

   
   
     

Anthony Van Dyck Samson and Delilah oil painting


Samson and Delilah
Painting ID::  39668
Anthony Van Dyck
Samson and Delilah
mk150 c.1628/30 Canvas 146x254cm

   
   
     

Anthony Van Dyck Portrait of a young general oil painting


Portrait of a young general
Painting ID::  39669
Anthony Van Dyck
Portrait of a young general
mk150 c.1624 Canvas 115.5x104cm

   
   
     

Anthony Van Dyck Nicholas Lanier oil painting


Nicholas Lanier
Painting ID::  39670
Anthony Van Dyck
Nicholas Lanier
mk150 c.1632 Canvas 111x87.6cm

   
   
     

Anthony Van Dyck Facomo de Cachiopin oil painting


Facomo de Cachiopin
Painting ID::  39671
Anthony Van Dyck
Facomo de Cachiopin
mk150 c.1628/9 Canvas 111x84.5cm

   
   
     

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     Anthony Van Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

     Related Artists::.
     | william r clark | David Young Cameron | Pieter Boel |


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